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From Arthouse to Grindhouse

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The Zenn Review
From Arthouse to Grindhouse
  • Scene from OSS 117 Is Unleashed (1963).
    1960s | Action

    OSS 117 Is Unleashed (1963)

    ByWillZenn February 24, 2026February 24, 2026

    A review of “OSS 117 Is Unleashed” (1963) discussing the literary output of Jean and Josette Bruce, and how 117 predates 007.

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  • Scene from Night of the Juggler (1980).
    1980s | Action

    Night of the Juggler (1980)

    ByWillZenn February 24, 2026February 24, 2026

    A review of “Night of the Juggler” (1980) discussing its social commentary regarding class and race.

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  • A scene from Lucio Flavio (1977).
    1970s | Action

    Lúcio Flávio (1977)

    ByWillZenn February 12, 2026February 24, 2026

    A review of Lúcio Flávio (1977), examining the historical and political conditions of Brazil surrounding the events depicted in the film, and comparing Flávio to other similar figures who reside in that complicated space of being viewed as criminals by some and revolutionaries by others.

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  • Scene from "The Female Animal" (1958).
    1950s | Drama

    The Female Animal (1958)

    ByWillZenn February 11, 2026February 11, 2026

    A review of “The Female Animal” (1958), Hedy Lamarr’s curtain call. Including some comments about story writer, Albert Zugsmith.

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  • Scene from Gone in 60 Seconds (1974).
    1970s | Action

    Gone in 60 Seconds (1974)

    ByWillZenn February 10, 2026February 10, 2026

    A review of “Gone in 60 Seconds (1974) that explores its daring stunt work and its place in 1970s independent cinema.

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  • A scene from The Ceremony (1971).
    1970s | Drama

    The Ceremony (1971)

    ByWillZenn February 6, 2026February 6, 2026

    A review of “The Ceremony” (1971) tracing its political themes of postwar Japan, generational conflicts, and search for identity while placing it in the context of Ōshima’s filmography.

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  • Scene from Death Rage (1976).
    1970s | Poliziottesco

    Death Rage (1976)

    ByWillZenn February 4, 2026February 4, 2026

    A review of “Death Rage” (1976) that examines its blend of crime, revenge, and genre style while comparing it to the more iconic poliziotteschi of the era.

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  • A scene from The Price of Fear (1956).
    1950s | Film Noir

    The Price of Fear (1956)

    ByWillZenn February 3, 2026February 3, 2026

    A review of “The Price of Fear” (1956) , exploring how circumstances beyond our control, and our reactions to them, can drastically change the course of our lives.

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  • Scene from A Hyena in the Safe 1968.
    1960s | Giallo

    A Hyena in the Safe (1968)

    ByWillZenn February 3, 2026February 3, 2026

    A review of “A Hyena in the Safe” (1968) that spotlights its rediscovery, mostly unfamiliar cast, and stylish early giallo twists in a tight heist thriller.

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  • Logo for the Plaza Theatre - Atlanta
    Film Culture

    An Appreciation of Plaza Theatre – Atlanta

    ByWillZenn February 1, 2026February 1, 2026

    An appreciation of Plaza Theatre – Atlanta, the longest continuously operating independent movie house in the city.

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  • Image of Tura Satana in a fur hat holding up two Japanese hannya masks.
    2020s | Documentary

    Tura! (2024)

    ByWillZenn February 1, 2026February 1, 2026

    A review of “Tura!” (2024), a documentary about cult cinema icon, Tura Satana.

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  • Scene from Thunder on the Hill (1951)
    1950s | Film Noir

    Thunder on the Hill (1951)

    ByWillZenn January 30, 2026January 30, 2026

    A review of “Thunder on the Hill” (1951), looking at its place in Sirk’s oeuvre as transitional to his better-known melodramas.

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